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</a> There are two things a performance of Shostakovich’s ‘Leningrad’ Symphony must achieve. One is to make the so-called Invasion episode in the first movement absolutely remorseless in its accumulation — obvious enough, but not at all easy to bring off. The other is to shape the remaining 60 minutes or so into an equally and ultimately even more implacable force — which is far less obvious and far less often achieved. |
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