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Lightsoul pregunto:
I´ve just started at <a href=" http://israelstartupnetwork.com/amlodipine-benazepril-5-20-mg-price.pptx#attest ">lotrel 10/40</a> One of the principal visions behind the brutalist masterpiece that is the National Theatre – likened unfavourably by Prince Charles to a nuclear power-station – was that the main auditorium would be modelled on the ancient Greek amphitheatre at Epidaurus. That incredibly bold conception of the space was first truly given its hour with Hall´s ambitious assault on Aeschylus’s tragic trilogy, using an earthy, sinuous translation by Tony Harrison. Some critics found the use of masks too obstructive and expressionless for a contemporary audience but Simon Callow, ever quick to draw inspiration, hailed the undertaking as “perhaps his single most adventurous and most completely realised production for the National Theatre, and one of the key productions of the post-war period... Nothing so thorough-going in the use of masks had been attempted on this scale; the power and the purity released by the production were startling.” |
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